Swansea’s Kikker has electrified the punk scene with their latest release, Trouble on the North Bank. Released via Swansea’s seminal independent label, Death Monkey Records, the convincing track pays a fiery tribute to the now-demolished North Bank at Vetch Field, once the heart of Swansea City Football Club’s raucous support. Reimagining a classic from the iconic 1970s band Dyfatty Flats, Kikker captures the intense passion of match-day rivalries with their version, blending raw energy with a nod to punk heritage.

Kikker feature in Fame Magazine with a review of their new single ‘Trouble on the North Bank’

Read the excellent full feature here :https://www.famemagazine.co.uk/kikker-revitalizes-swanseas-punk-heritage-with-trouble-on-the-north-bank/

Kikker Come Windmilling into 2025 with a Call to Arms!

Big shoutout to Adam Walton for spinning Kikker’s brand new single, Trouble on the North Bank, on his BBC Introducing show last Saturday! 🤘⚽ Massive thanks for the support—means a lot to hear it blasting out on the airwaves. If you missed it, you can catch up here: BBC Introducing.

Kikker are “kicking off” 2025 [every single cheesy pun absolutely intended.. 😜 ] the only way they know how—loud, chaotic, and unapologetically raw. The new single Trouble on the North Bank is a full-throttle reimagining of a classic Swansea anthem originally released in the late 1970’s by local punk legends Dyfatty Flats.

Written as a tribute to the legendary North Bank at the former home of Swansea City FC, The Vetch Field, this track drips with the same untamed energy that made that terrace the heart and soul of Swans support. The lyrics are pure terrace aggression—“There’s trouble on the North Bank, we chased them and they fled”—a war cry for anyone who ever stood shoulder to shoulder in the old ground.

Huge thanks to Ray Jones and Stuart Miers, the original masterminds behind Trouble on the North Bank, for giving Kikker the nod to bring this beast back to life. Produced and mixed in-house at Death Monkey Records by our own Dave Milsom, this version keeps the spirit of the original, while injecting it with Kikker’s signature sonic chaos.

The track drops officially on January 30th, and you can pre-save it now. You’ll want this one on repeat, it’s a banger of a party anthem. And if this is big, just wait—Kikker’s got more up their sleeve for 2025, with new music and a tour on the horizon.

Keep your eyes peeled, ears open, and your pint raised. This one’s for the Swans. 🖤⚽🔥

Kikker #TroubleOnTheNorthBank #SwanseaCity #VetchField #DeathMonkeyRecords

Welsh noise-punk outfit KIKKER are no strangers to turning heads with their raw, visceral sound. But things just got a lot louder for them after their latest track, “White Worms”, from their EP (recorded and released through Death Monkey Records), was given a spin this Monday (Oct 1) on BBC Radio Wales by none other than Huw Stephens—one of the most prominent voices championing indie and alternative music in the UK.

Stephens, who has made a career out of bringing attention to underground artists, didn’t just give KIKKER a casual play. During his broadcast, he highlighted their track as part of a segment discussing the Swansea music scene with Jordan McGuire, the owner of the recently saved grassroots venue, The Bunkhouse. The venue, which had been on the brink of closure, has just been bought by the Music Venue Trust, a move that ensures its future as a vital space for up-and-coming Welsh acts. This news is massive for Swansea’s DIY music scene, and having KIKKER soundtracking that conversation only underscores their growing importance on the local scene.

“White Worms” is a blistering example of KIKKER’s no-holds-barred approach to punk, combining caustic riffs with guttural vocals. It’s not surprising that it caught Stephens’ attention—he’s been a long-time advocate for fresh, unfiltered talent from the region.

As if that wasn’t enough, KIKKER is also set to bring their searing live energy to the upcoming Swansea Fringe Festival, one of Wales’ most exciting grassroots events. Taking place across the city from October 5-7, the Fringe will see KIKKER take the stage at The Bunkhouse on Saturday, October 7 at 9 pm, alongside a lineup of acts that includes both established names and rising stars from across the Welsh music spectrum. Organiser Josh David Read joined Jordan on the broadcast to talk about the festival, which has cemented itself as a key cultural event, with over 200 bands vying for spots on the bill.

With the eyes and ears of tastemakers like Huw Stephens on them, and an upcoming performance at a festival renowned for nurturing indie talent, KIKKER’s presence on the Welsh alternative scene has never been stronger. For a band like KIKKER, who thrive on the energy of DIY punk culture, this kind of recognition feels like the beginning of something even bigger. Keep your eyes on them—this is just the start.

Every now and then, something absolutely mind-blowing happens—one of those moments that flips life upside down and sets a career on fire. For Damian Harris, drummer of World Vs World, and a key figure at Death Monkey Records, that moment has hit full force. Damian’s just been handed the kind of gig musicians dream of—joining his all-time favourite band, China Drum, for their tour of Japan.

China Drum, the legendary punks from Newcastle, ruled the independent scene in the ’90s, and for Damian, they were more than just a band. They defined his entire musical DNA. Their raw power, relentless energy, and pure punk rock spirit shaped his drumming from day one. Now, to step into their lineup and rip it up across Japan? That’s not just a dream come true—it’s a total game changer.

But this isn’t just a massive win for Damian—it’s a moment of pure pride for us at Death Monkey Records. Damian’s been the backbone of World Vs World for years and our longest signed band. He’s currently tub thumping for The Rock Foxes, while helping build the label from the inside out for the last 5-10 years. His journey is exactly what we’re all about—staying true to your roots, chasing your passion, and seizing every killer opportunity that comes your way.

In a recent Social Media post China Drum said:

We would like to thank The Rock Foxes for very kindly lending us Damian Harris to enable us to play Japan in October this year, without Damian this would not be a thing!! “So geeeeeet cheeers n that”

Can’t fukkin wait for the ear lashing that will be rehearsing!!

We’ve always pushed for raw talent and real authenticity, and seeing Damian take the stage with the very band that inspired him is a massive win for everyone here. It’s not just about making records or playing shows—it’s about supporting artists as they carve their own path in this wild industry.

Damian’s story is a tale of grit, determination, and straight-up passion. It’s the same blood, sweat, and tears we see in so many artists at Death Monkey Records. And moments like this? They make it all worth it. It’s proof that the indie scene is a web of endless connections, and your next big break could hit you in the middle of a sweaty basement gig or after grinding away behind the scenes at a label.

As Damian heads off to smash it in Japan with China Drum, we couldn’t be more stoked. His success lights the way for every band and artist we work with, reminding us that staying true to yourself is the key to unlocking epic opportunities.

Massive shout-out to Damian, China Drum, and all the tireless artists out there hustling for their moment. It’s an honor to ride this wave with you, and we’re amped to see what’s coming next.

In the immortal words of China Drum: ‘It’s Punk Rock, Son!’

Safe travels, Damian—tear it up!

Following the heartbreaking news of Adam Burse’s passing earlier this month, we have revisited his 2010 EP, I Don’t Care, to give it a fresh remaster. This newly polished version will be available digitally for the first time through Death Monkey Records’ BandCamp.

https://deathmonkeyrecords.bandcamp.com/album/i-dont-care-2024-remaster

By making this EP accessible once again, we hope to honour Adam’s legacy and ensure that his music continues to resonate with the world.

The EP will be available for free streaming and download, with any “Pay What You Want” proceeds donated to the National Autistic Society via a page set up by his brother on the ‘Much Loved Platform’: https://adamburse.muchloved.com/.

Adam Burse – A Tribute

by Dave Milsom

Adam Avit! embodied the truest spirit of Punk Rock; Rebellion, Outrage, Defiance, Independence, personal liberation through righteous exposition and not giving a shit about what other people think about you.

In the following years since his 2010 EP, ‘I Don’t Care’ for Death Monkey, Adam had long since dropped the ‘Avit!’ Moniker from his artist title and found a love for much heavier music stylings. However, before he became the 8 string guitar wielding behemoth, known internationally through his YouTube channel and beloved by a whole community where he poured all his future creative endeavours, Punk was his clarion call.

‘I Don’t Care’ was one of Death Monkey Records inaugural releases, and at the time we started to come up with the somewhat contentious idea of launching a new independent label for Swansea’s underground scene (given that the music industry as we knew it was currently in an existential crisis) there was one voice who could not be dismissed; Adam Avit!

A Voice That Couldn’t Be Ignored

When Adam took to the stage you instantly knew about it. Erupting from the very first clang of his Acoustic Guitar was a ruckus that was impossible to ignore. With his baggy jacket adorned with pin badges and Guitar plastered with stickers, at first glance he appeared to look like something of a mild mannered Folk-Troubadour, albeit one who had been suddenly, savagely possessed by the fucked up spectre of Sid Vicious, on a rampage to seek out the nearest hotel room to trash. It immediately became obvious to all in attendance, something had REALY pissed this guy off.

The wild, unbridled character that came across in Adam Avit! though, was the very antithesis of who Adam Burse was to all who knew him, or even those who he had the briefest of interactions with. Adam was genuinely a very happy dude, very much enjoyed a laugh and a joke, was about the politest person you could hope to meet, quiet at times, instantly likeable and a friend to all who knew him.

Underlying this was a steely demeanour, he knew himself better than most, and would not suffer fools gladly, or those who overstepped the mark. He was fearless, did things his own way and always approached life on his own terms. Adam was always extremely honest and open in all things and would soon let any acquaintances know about his Asperger’s condition, how it affected him and how he preferred to deal with things in a very direct manner. That was just him he’d explain. It’s easy to see how Adam Avit! Had become his direct alter ego.

Harnessing Punk’s Power for Honest Expression

It’s fair to say that in the early stages of Adams artistic development, his technical ability was far from refined, he possessed a stage presence that was both chaotic and compelling and would violently attack his instrument with the fervor of a man who needed to exorcise from his soul the anger of a lifetime of pent up rage. But technique was never what Punk Rock was about and this is what Adam embraced about it, just as his hero’s had before him. 

What punk was for him was a vehicle, not just for expressing the anger and injustice which seemed to be imbued within him, but above all, for his highly attuned sense of song writing, story telling and melody. Amid the on stage carnage, you knew these songs had a message, intent and a very fucking deep meaning indeed.  

It was this talent that shone through, along with the obvious charisma and take no prisoners attitude, that made us really excited about working with Adam at DMR. He was a kindred spirit who shared our views about what independent music was all about. We knew for certain that with a little bit of assistance with the production, together we could put out a record that would get to the heart of these songs, which he’d belt out at every support slot he’d managed to wrangle, or Open Mic Night that was going. We wanted to showcase his truly unique voice, irreverent writing style and character, which was larger than life.

In The Studio: Bringing Adam’s Songs to Life

 We spent around 3 months working on the EP, from fine tuning the song structures to overlaying many layers of additional instruments. In the studio Adam was a very different animal, displaying a surprising precision, so much so that one take to the next would be almost identical, he had a keen ear for pitch and timing and when his Guitar and Vocals were doubled up, they would almost merge into a single voice so accurate was his performance.

 In order to aid the transition of these songs from stage to tape, we put together a small ensemble of session musicians to be his backing band. Adam had been used to performing alone on an acoustic guitar, but it was obvious that some of these tracks he’d written were just destined to have a full band roaring behind him.

 With the help of long time studio friends who have since appeared on many Death Monkey releases and become part of our very own “Wrecking Crew”, the mission was to take this EP to the very edge of what it could be, with all the angst and emotion behind the music at maximum impact. 

As part of our ambitious vision for the EP, we had drafted in renowned String Arranger Sebastian Goldfinch who has appeared on many albums which have been both nominated for and awarded, the prestigious Welsh Music Prize. He was brought in specifically to add depth and emphasis to the weight of one of the most gut punching, hard hitting and personal tracks on the EP ‘The Secrets Out’

Inside Adam’s Magnum Opus – ‘I Don’t Care’

The five tracks that make up ‘I Don’t Care’ are some of the most diverse musically and thematically you could get on a rock album. The opening banger ‘Murderscene’ is a political commentary on modern day Britain and sadly still holds up verbatim 15 years after it was written. A departure from the album’s introspective tone, ‘Murderscene’ foreshadows Adam’s metal evolution, exploding with a System of a Down-like intensity.

The tone after this quickly shifts into more of the Pop Punk, Emo territory that Adam was occupying at the time, with the bittersweet melodies and upbeat catchy tunes, hiding some very dark truths. From alcohol dependency as a crutch, to social alienation, apathy, distain and defiance towards his detractors, alongside crushing debt problems and weight issues, ‘I Don’t Care’ is a full on cathartic release, where Adam speaks his truth and boldly exclaims how he took life face on.

All of these subjects, he wrote about with terrifying honesty, giving his audience unobstructed access to his thoughts. His songs were more than artistic expression, they were intrinsic and expositional and written for him first and foremost. These songs needed to exist for him and were expressed in a way only Adam could, with brutal integrity.

It’s testament to Adam’s cheery disposition and inner self belief, that no matter how heavy the subject matter, each song contains within it a seed of hope and in the case of ‘Six Degrees From Nowhere’ even triumphant optimism.

No sooner than he’d identified some of the more existential issues he sang about, Adam used his fervent resolve and massive self discipline into undergoing an inner transformation to sort through them. Within a fairly short time after ‘I Don’t Care’ was released Adam was tee total, debt free and was in fantastic shape, having taken up martial arts and become surprisingly ripped! 

A follow up Album he later self released was entitled, in his own typical autobiographical style; ‘Metamorphosis’

A Relentless Evolution

Adam was a constant inspiration for all his followers and was relentlessly cheered on by a chorus of supporters who genuinely cared about his success, because he shared everything. His dedication and focus on tackling adversity was of epic proportions.

Disillusioned with the growing dominance of cover bands on the grassroots scene for a time, Adam stepped away from live performance. Seeking a new audience, he turned to his YouTube channel. There, he found a community that embraced his authentic spirit, showing how effortless his genuine appeal transcended traditional performance platforms

Embracing a heavier sound, Adam found a new home in the burgeoning online community. His punk-fueled energy was channeled into more technically demanding music, yet his raw intensity remained intact. This new style was a truer reflection of the man behind the music, and his ability to blend aggression with precision. He no longer needed the punk persona to connect with his audience. 

Adam’s legacy is one of unwavering authenticity, his music a raw and honest expression of his soul. He will be long remembered and dearly missed by every person who was privileged to know him.

You Rocked Adam.

We’re absolutely thrilled to announce that our very own Zed Motel have been longlisted for the prestigious Welsh Music Prize Album of the Year award! Their album, Turn of the Tide, has been recognized as one of the best to come out of Wales this year, and we couldn’t be prouder.

The Welsh Music Prize is a highly respected award that celebrates the very best in Welsh music. It’s a huge honor for Zed Motel to be included in such an impressive lineup of artists. Turn of the Tide was a passion project for us here at Death Monkey Records, and we poured our hearts and souls into creating something truly special.

‘Turn of the Tide’ was a labor of love for the band and entire Death Monkey Records team. From the initial recording sessions to the final mastering, we poured our hearts and souls into this project to all capture the enrapturing songs written by Zed Motel for the album.

This nomination is a testament to the hard work and dedication to everyone involved. We’re incredibly grateful for all the support Zed Motel has received, and we can’t wait to see what the future holds.

Show some love for Zed Motel by sharing this exciting news and supporting them on their journey 🙌. We’re keeping our fingers crossed for the shortlist announcement!

We are heartbroken to announce the sudden passing of Adam Burse, AKA Adam Avit! One of the first artists we worked with at DMR, more than that he was part of the Death Monkey Records family and also became a member of the team, helping to run the label for a time, with the same passion and intensity he brought to his music.

Adam’s larger than life personality and relentless enthusiasm meant he was a friend to everyone who knew him, living his life always on his own terms and for the music he loved, where he poured every ounce of his energy.

He was a huge presence on the Swansea music scene when we started the label, known to all and continued that through to his YouTube career, becoming an integral part of an international community of musicians where he found his creative inspiration and a home amongst many friends.

Rock In Peace Adam, you’re much missed

We’re absolutely buzzing to share some incredible news! Our very own Zed Motel have just smashed it out of the park with their latest single, “Pull the Mask”, getting airplay on BBC Introducing with the legendary Adam Walton!

This track is the second single from their killer new album, Turn of the Tide, which we here at Death Monkey Records are super proud to have recorded and produced. It’s been an absolute blast working with these guys, and seeing their hard work pay off like this is beyond rewarding.

If you missed it, “Pull the Mask” got its first spin on Saturday, June 15th at 10pm on BBC Radio Wales. It’s a track that’s packed with energy and attitude, and we can’t wait for you all to hear it.

Huge congratulations to Zed Motel on this massive achievement! Keep your ears peeled for more exciting news from these guys.

Make sure to follow Zed Motel and Death Monkey Records on social media for all the latest updates.

📻Listen again here: https://www.bbc.co.uk/programmes/m0020825

🎧 Stream :https://open.spotify.com/track/3VNyI5FOW058yV4MiSSBtk?si=89bf1859a53443d3

💰Buy: https://deathmonkeyrecords.bandcamp.com/album/turn-of-the-tide

Mucho thanks to Bethan Elfyn for playing Zed Motel ‘s ‘Evil Town’ this weekend on BBC Radio Wales Saturday night

An epic follow up to their debut performance at Le Pub the night before and appearance at hmv Swansea the previous weekend.

You can catch the show again on BBC Sounds, Zed Motel can be found at the 1:40:00 mark

https://www.bbc.co.uk/sounds/play/m001yh90

Brace yourselves, Death Monkey Records fam! Local Swansea outfit, Zed Motel, are poised to make a splash with their debut EP, “Turn of the Tide”, arriving on Friday, March 22nd, 2024.

This highly anticipated release marks a new chapter for the band, not just in terms of fresh material, but also their evolving sound. Joining forces with Swansea bass legend Ed Purcell, Zed Motel has crafted a collection of tracks that promises a potent blend of raw energy and introspective songwriting.

Fans have already gotten a taste of what’s to come with the singles “Shadow Shapes” and “Rivers”. “Shadow Shapes”, a stomping garage rock anthem with a psychedelic twist, showcased the band’s dynamic range, while “Rivers” revealed a newfound depth in their songwriting, hinting at the sonic maturity fostered by their collaboration with Purcell.

To celebrate the official release of “Turn of the Tide”, Zed Motel will be throwing a huge album launch party at Hangar 18 Music Venue on Friday, March 22nd. This won’t be your average record release bash – the night will be a full-on Death Monkey Records showcase, featuring a killer lineup of label mates:

• James T. Morgan – The eloquently sublime alt-folk troubadour.
• Kikker – Fresh off their electrifying performance at the Swansea Arena, Kikker is ready to bring the chaos back to one of Swansea’s finest grassroots venues.
  

Don’t miss this chance to witness Zed Motel’s triumphant return, surrounded by the vibrant community of Death Monkey Records artists.

Mark your calendars for March 22nd and get ready to ride the “Turn of the Tide” with Zed Motel!

Pre-save the EP now: https://support.distrokid.com/hc/en-us/articles/360013647913-What-Is-HyperFollow

Stream Zed Motel’s latest singles:

• “Shadow Shapes” – https://zedmotel.bandcamp.com/track/shadow-shapes
• “Rivers” – https://open.spotify.com/album/3EoDd1XuH8znfBKNXbp1ys

Swansea’s music scene is set to erupt on Saturday Feb as rising stars Kikker headline the House Party at the iconic Swansea Arena. This marks a significant moment, not just for the band, but for the city’s thriving underground music community.

The House Party promises a full day of sonic exploration, showcasing a diverse range of local talent.  (Time and details for supporting acts can be found on the Swansea Arena website).  Proceeds from the event will benefit the Music Venue Trust, a cause close to the hearts of many musicians.

Kikker’s ascension to the Swansea Arena stage is a testament to their dedication and raw talent. Having honed their sound in the intimate confines of local haunts, they’re now poised to captivate a larger audience in a prestigious venue usually reserved for established acts.  Anticipation is simmering for their 7:15 PM set, with whispers of a high-octane performance that’s guaranteed to ignite the crowd.

Beyond the Headliners:

The House Party isn’t just about Kikker. The day serves as a platform for a multitude of local acts waiting to be discovered. Be sure to check out DMR favourites:

• DAISY, serenading the crowds during the coffee shop sessions at 2:30 PM.
• Prepare for a mind-bending experience with Rainyday Rainbow, taking the stage at 5:45 PM.

For fans who crave an extended dose of Kikker’s energy, the afterparty kicks off at 10:00 PM at The Bunkhouse Swansea. Here, the band will trade instruments for DJ decks, spinning a late-night set that promises to keep the party going.

Tickets for the House Party are a mere £10, offering an unparalleled opportunity to witness Kikker’s triumph, support a worthy cause, and immerse yourself in the vibrant tapestry of Swansea’s music scene.

Don’t miss this chance to be part of a defining moment for Swansea’s underground.